![]() Right-click on the clip on your timeline and choose Replace With After Effects Composition. This sends the video clip to After Effects to apply our upscale. This method doesn't require you to export, re-import, and create multiple files. Now, we need to send the footage to After Effects. It's easy to see this 1080p clip doesn't cover the canvas in our 4K project. ![]() Start off by importing clips and sequencing them on the timeline in your preferred order.Īssuming you created your project in 4K, 1080p clips are going to stand out with black borders around the footage. Add Your Footage in Adobe Premiereįirst thing's first: we need to get all of our clips added to a Premiere Pro project. Video shot in 4K resolution has quickly become synonymous with high quality productions. Essentially, this interpolation technique preserves detail better than stretching the pixels. Our method will use Detail-preserving Upscale in After Effects to increase the size up image in a smart way. Sure, you can take a 1920x1080 clip and stretch it to a 4K canvas, but you'll lose detail and won't get the best results. You should know about why we're using After Effects as part of this approach: Premiere Pro doesn't include a true method for upscaling footage. How to Upscale Footage to 4K In Adobe Premiere Pro We'll go from the most common standard HD video size, 1920 pixels wide by 1080 pixels tall, to the most common 4K standard, 3840 pixels wide by 2160 pixels tall (commonly called UHD resolution). let's learn how to upscale in Adobe Premiere with some help from Adobe After Effects. The example on the right side shows the detail preserved version, which includes sharper details in the rock area. This approach really improves the footage when you upscale. On the right side, the detail is noticeable in the rock and background areas. The left image is a simple stretch, no upscaling applied. ![]() In this tutorial, you'll learn the best way to upscale your footage from HD 1080 to 4K resolution from Premiere Pro, with a quick round-trip to After Effects make use of the powerful Detail-preserving Upscale tool.Ĭheck out the difference in results below. However, by the time it comes to edit everything you might not always have 4K footage at your disposal. It will further explain how Canon has realized 4K optical performance and fast servo control while simultaneously achieving compact size, light weight and high zoom ratio, by referring to patent-pending technologies such as the optical power layout, lens construction, and glass material combinations.4K video resolution has become the norm for projects with high production-values. This paper will discuss the requirements from the two industries of cinema and broadcast, while at the same time introducing the new technologies and new optical design concepts applied to our latest “CINE-SERVO” lens series which presently consists of two models, CN7x17KAS-S and CN20x50IAS-H. On the other hand, there are new requirements that are common to both worlds, such as smooth and seamless change in angle of view throughout the long zoom range, which potentially offers new image expression that never existed in the past. Another example is the need for compact size, light weight, and servo operability for a single camera operator shooting in a shoulder-mount ENG style. A typical requirement for a broadcast lens is a considerably higher zoom ratio in order to avoid changing lenses in the middle of a live event, which is mostly not the case for traditional cinema productions. While large format image capture has been the standard in the cinema world for quite some time, the recent experiences within the broadcast industry have revealed a variety of requirement differences for large format lenses compared to those of the cinema industry. Central to the rapid evolution of 4K image capture technology in the past few years, deployment of large-format cameras with Super35mm Single Sensors is increasing in TV production for diverse shows such as dramas, documentaries, wildlife, and sports.
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